The Primitive Nature of Man Revealed in Lord of the Flies :: Lord Flies Essays

The Primitive Nature of Man Revealed in master key of the Flies A running theme in Lord of the Flies is that man is animate being at heart, always in the long run relapse back to an evil and primitive personality. The cycle of mans rise to power, or righteousness, and his essential fall from grace is an important point that book proves again and again, often comparing man with addresss from the Bible to give a more brilliant picture of his descent. Lord Of The Flies symbolizes this fall in different manners, ranging from the parable of the mentality of actual primitive man to the reflections of a corrupt tar in purgatory. The novel is the story of a group of boys of different backgrounds who atomic number 18 marooned on an unknown island when their plane crashes. As the boys try to prep be and formulate a plan to get rescued, they begin to separate and as a result of the dissension a band of savage tribal hunters is formed. Eventually the stranded boys in Lord of the Flies almost all shake off civilized behavior (Riley 1 119). When the confusion in conclusion leads to a manhunt for Ralph, the reader realizes that despite the strong sense of British character and civility that has been instilled in the youth through and throughout their lives, the boys have backpedaled and shown the underlying savage side existent in all humans. Golding senses that institutions and order imposed from without are temporary, but mans irrationality and urge for destruction are enduring (Riley 1 119). The novel shows the reader how easy it is to revert back to the evil nature inherent in man. If a group of well- tick offed school boys can ultimately wind up committing various extreme travesties, one can create mentally what adults, leaders of society, are capable of doing under the pressures of trying to maintain demesne relations. Lord of the Flies apprehension of evil is such that it touches the nerve of contemporary detestation as no English novel of its t ime has done it takes us, through symbolism, into a world of active, proliferating evil which is seen, one feels, as the natural condition of man and which is bound to remind the reader of the vilest manifestations of Nazi regression (Riley 1 120). In the novel, Simon is a peaceful lad who tries to show the boys that there is no monster on the island except the fears that the boys have.